<i>Post-Impressionism to World War II</i> is an exciting anthology of the best art history writings of the Post-Impressionist period. Several key essays by critics including Benjamin, Greenberg and Bürger knit together primary sources and classic, “canonical” criticism. <br /> <ul> <li style=”list-style: none”><br /> </li> <li>Collects the most important writings on art history from Post-Impressionism to the mid-20th century, covering both canonical and contemporary perspectives<br /> </li> <li>Offers a chronicle of avant-garde practice during an especially creative, if volatile, period of history<br /> </li> <li>Features several key essays by critics including Benjamin, Greenberg and Bürger<br /> </li> <li>Includes recent critical interventions from a range of methodological perspectives – both well-known and less familiar<br /> </li> <li>Organizes material thematically, and features introductory essays to each of the five sections<br /> </li> <li>Provides a valuable, stimulating resource for students and teachers alike and offers new ways to think about and teach this important period in art history.</li> </ul>
Post-Impressionism to World War II
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