She’s come to steal my thunder again, hasn’t she? Dying, my foot. She’s probably just being dramatic. Dying for dramatic effect. She would.’ Cathy Wren, aged 37, lives alone in a small northern town, surviving on waitressing and piano teaching. She nurses her quiet drab life, keeping memories of a tumultuous earlier time at bay, until one stray remnant of that old life knocks on her front door. There, standing on her doorstep, in the rain, is Stephen, ex-boyfriend of her younger sister, Veronica Karen. He’s come with bad news about her sister and a dogged determination to find her, and he wants Cathy’s help. Cathy, who hasn’t spoken to Veronica Karen – that thorn in her side – for ten years, is about to find herself on a weird and haphazard journey that turns into much more than a search for her little sister.’It is in its delicate exploration of the murky ground between objective assessment for life and irrational affection for a person that the novel compels’ – TLS]]>
Little Sister
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